Sat Dec 12 · 2:00pm
Fanny and Alexander (1982)
Ingmar Bergman conceived his 1982 film as a swan song, “the sum total of my life as a filmmaker,” returning to his Uppsala childhood and, for the first time, a child's point of view: young Alexander Ekdahl, whose family faces an authoritarian bishop stepfather modelled on Bergman's father. The theatrical cut screens on 35mm after Dave Fleischer's 1933 cartoon Snow-White, in a Harvard Undergraduate Cinematheque series; free with Harvard ID.